Showing posts with label Spider-man. Show all posts
Showing posts with label Spider-man. Show all posts

Thursday, August 12, 2010

'Spider-Man: Turn Off The Dark' Musical To Opin In December

Turn Off The Dark

After a long and troubled development, "Spider-Man: Turn Off The Dark" may finally be ready for Broadway.

According to Yahoo News, the producers of "Spider-Man: Turn Off The Dark" have announced that preview performances will begin on November 14, with an official opening night on December 21.

Although Evan Rachel Wood and Alan Cumming stepped aside from their respective roles as Mary Jane Watson and Green Goblin/Norman Osborn, Jennifer Damiano and Patrick Page have been confirmed as their replacements. Reeve Carney will also remain as Peter Parker (aka Spider-Man).

"Turn Off The Dark" is an ambitious collaboration between "Lion King" director Julie Taymor and U2 members Bono and the Edge that is rumored to have cost nearly $50 million to stage.

The first major sign of problems began nearly a year ago, when production was suspended due to the producers' lack of funds. The show was delayed again in October, leading to the much publicized departures of Wood and Cumming.

A third delay earlier this year included refunds amid reports that Disney (Marvel's new owner) had stepped in to help fund the production.

Back in June, Marvel extended the "Spider-Man" license in order to give the producers more time to get the show off of the ground. [http://splashpage.mtv.com/2010/06/17/marvel-extends-spider-man-turn-off-the-dark-license-casts-new-green-goblin/] Shortly before that, Carney told MTV News that he had finally been fitted for his Spider-Man costume.

The most recent reports came last month when choreography for "Turn Off The Dark" was officially started.

"Wow, man, I can't wait for the world to see this thing. ... It's finally happening!!" wrote Carney at the time. "I honestly can't believe I'm getting paid to do things my mom would have killed me for when I was a kid! Ha!"

9 Underrated Spider-Man Stories

One of the bigger news items out of the 2010 Comic-Con was Marvel’s announcement that the three year Spider-Man mega-arc, Brand New Day, will finally come to a close this October. Brand New Day significantly shifted the status quo in Spider-Man’s universe, erasing Peter Parker’s marriage and resurrecting Harry Osborn, amongst other things. But for as much controversy as it was initially met with, its new freedoms and rotating crew of writers and artists have brought along many high quality Spider-Man stories, and the end result has been a Spider-Man renaissance. With an eye toward whats next for the web slinger, I went through my collection and came up with nine great, mostly unsung, Spider-Man stories that I feel represent the characters range and history. Some of these have been reprinted, but some may require some searching for. They are all worth it.

1. Spider-Man: Threat or Menace (Amazing Spider-Man Annual #15)

Writer Dennis O’Neil’s run on Spider-man in the early 80’s is generally not as well regarded as his other works, but this 1981 story was a diamond in the rough. Featuring terrific early artwork by Frank Miller, this annual is also a turning point in the characterization of The Punisher, who begins the transition from one note guest villain to a star character of his own right.

2. Assassin Nation Plot (Amazing Spider-Man #320-325)

It seems unlikely to name any comic featuring art by Todd McFarlane as “underrated”, but this one qualifies. The story of government espionage by David Micheline successfully takes Spidey out of his element but keeps his unique humor intact. The original trade paperback is out of print, but much of the story can be found in Spider-Man Visionaries: Todd McFarlane, vol. 3. Be warned, however, that collection is missing a chapter with art by Eric Larson. It’s worth tracking down.

3. Sin-Eater Returns (Spectacular Spider-Man #134-136)

Peter David’s “The Death of Jean DeWolf” storyline is regarded as a classic, but this sequel is often ignored. It’s a great tale of how Spider-Man can let his guilt overwhelm him, and features sharp art by Marvel Comics legend Sal Buscema.

4. Amazing Fantasy (Amazing Fantasy #16-18)

In 1995, fresh of his success with Marvels, writer Kurt Busiek scripted this interesting take on the early days of Spider-Man. Filling the gap between Spider-Man’s origin and the start of his ongoing series, Amazing Fantasy looks at how Peter Parker evolved past his Uncle Ben’s death into a full fledged hero.

5. Maybe Next Year (Peter Parker: Spider-Man Vol. 2, #33)

Paul Jenkins’ Spider-Man stories from 2000-2005 we’re uniformly excellent, and this done-in-one story with art by Mark Buckingham is the best example. Peter reflects on a childhood trip to a New York Met’s game with his Uncle Ben, and the ways he learned to be a fighter long before he had super powers.

6. No One Gets Outta Here Alive! (Spider-Man #17)

While trying to rescue a young girl and her mother, Spider-Man is killed, and has to fight his way past death, literally. Faced with Thanos, the Marvel personification of the grim reaper, Spidey has to punch, scrap and argue his way back to the land of the living. Along the way, he makes the case for why his life is valid, and his work is unfinished. Writer Ann Nocenti is best known for her stellar run on Daredevil in the late ’80’s, but her take on the webslinger is not to be missed.

7. To Have and To Hold (Sensational Spider-Man Annual #1)

While fugitives on the run, the Peter and Mary Jane find their marriage tested beyond belief. Along the way writer Matt Fraction gives readers a new look at the genesis of their unlikely relationship, and why perhaps a science nerd and a model have more reason to be best friends then you might think. Published on the eve of the controversial “One More Day” storyline, this annual gives as solid an argument as I’ve read for why Peter and MJ make perfect sense with one another.

8. The Child Within (Spectacular Spider-Man #178-184)

J.M. DeMatteis’ most famous Spider-Man story is “Kraven’s Last Hunt,” but this 1991 arc is a great example of his killer work on the Spider-titles throughout the early 90’s. Harry Osborn seemed to have moved on from his evil father’s Green Goblin legacy, but a series of events turn him back down a horrible path, and into direct conflict with Spider-Man. Spidey desperately fights a losing battle for his friends redemption, and the end result is heartbreaking.

9. High Tide (Spider-Man Versus Wolverine #1)

There were a number of classic Spider-Man stories published in 1987, and this gem tends to get lost in the shuffle. While in Berlin, Peter Parker finds himself at odds with the X-Man Wolverine, and learns just how far you have to go sometimes in order to save lives, regardless of your beliefs. This one-shot also features several key Spider-Man moments that caused waves in the Spider-books, including the death of long time supporting character Ned Leeds and a major transition in Peter’s relationship with MJ. The script is by Jim Owsley with excellent art by Mark Bright.

Monday, April 13, 2009

Upcoming Marvel Movies

Marvel updated it's list of upcoming movies. Here it is.

IRON MAN 2
May 7, 2010

SPIDER-MAN 4
May 6, 2011

THOR
June 17, 2011

CAPTAIN AMERICA
July 22, 2011

THE AVENGERS
May 4, 2012

Marvels intentions is to hire the actors to multi-picture deals and feature story arcs that will be interwoven and culminate in a multi-character motion picture known as The Avengers. In other words, this has all the ingredients to be fucking awesome. Please don't screw it up Marvel.

Thursday, April 9, 2009

Spider-man Venom Spinoff in the Works


Courtesy of Scifiwire.com
by Jeff Otto

Sony is officially moving forward with its Spider-Man spinoff movie focusing on Venom and has hired Zombieland writing team Paul Wernick and Rhett Reese to pen the script, the writers told a group of reporters.

"We had a really great relationship with Sony on [Zombieland], and so that was a nice in for us there," Reese said in a group interview. "It gave us a leg up."

The duo is already working on the script, but they are sworn to secrecy on the details. "We're under strict orders on Venom," Wernick said. "We can't talk about it. It's just super secret."

Unlike Spider-Man director Sam Raimi, who has admitted that he wasn't a Venom fan before directing Spider-Man 3, Wernick and Reese said they are big fans of the comic character and have recently been doing their research to ensure that they do justice to him. "We read [Venom] growing up, but we were not experts," Reese said. "We certainly know the mythology of Venom, but went back and learned more when it became clear that we could actually get this job."

Ultimately, the writing team has fan interest at heart, they said. Even as they are just getting started on the script, they admit fan scrutiny is on their minds. "Absolutely, I'm terrified," Reese said with a nervous laugh. "It's source material that everybody knows and everybody's familiar with and everybody loves. There's a burden on you to meet the expectations of people. A lot of people are curious about Venom."

The bottom line... thank god Sony gave the controls to someone other than Sam Raimi. He has on many occasions publicly stated he was not a fan of Venom and did not understand the Spider-man fan's admiration for the character. Explains why Spider-man 3 sucked so bad. Hope these guys do a good job with the Venom spinoff.

Friday, March 27, 2009

Sam Raimi gets Control of Spider-Man 4




Sam Raimi will be featured in an upcoming interview in Empire magazine's May issue. In the interview he openly talked about some of the problems with Spider-Man 3 and confirmed some rumors we all heard about 2 summers ago when the movie was released.

“They really gave me a tremendous amount of control on the first two films, actually. But then there were different opinions on the third film and I didn’t really have creative control, so to speak.”

What he is referring to, of course, is that when Spider-Man 3 was in Pre-production, Marvel told Sam Raimi that he had to include Venom in the 3rd Spider-Man film despite Sam rumored to say he did not wish to. Sam Raimi is more of a fan of the 70's Spider-Man villians and even today states he does not quite "understand" Venom.

“I don’t even want to comment on Venom, because I know he’s a great character and all the fans love him. I never want to say anything bad about a much-beloved character because usually it turns out that I’m the one that doesn’t understand what makes it great.”

I remember hearing the rumors of Spider-Man 3 before they came out and I was thinking, "if they don't put Venom in the 3rd movie I will be pissed!" Well, maybe we should watch what we wish for, because Venom was in the 3rd movie and the 3rd movie ended up being the worst one yet. You can tell that Sam Raimi's heart wasn't in the character and it shows in the movie. Too many villians and not enough character development. It was a major disappointment.

The bottom line... I'm looking forward to Spider-Man 4. He'll do a great job. As for Spider-Man 3 (despite being a big fan of Sam Raimi's work) maybe they just should have gone with another director. I mean, Venom is repeatedly considered one of the greatest villians in the history of comics. Therefore, us Spidey fans needed to see Venom. But, Switch (Belinda McClory) in the Matrix says it best, "Not like this... Not like this".